By November 1988, when Neil Peart arrived in Cameroon, he’d been expanding his own life and art through almost twenty years of travel and adventure. Concert tours of North America and Europe with his Rush bandmates, and the shared creative odyssey of lyric-writing and drumming, had only fed his insatiable curiosity and creative ambition. Through solo travels in Europe and North America, then to China and East Africa, he continued challenging himself to do more, learn more, achieve more. Adventure travels moved from inspiration to perspiration and back again, as that irresistible quest for new horizons and new adventures inspired the wish to shape those horizons and share those adventures in words. Like a story, each journey took on a shape and structure from beginning to end, through daily challenges of problem-solving and adaptation, and resonated in his life forever after. Experiences, hardships, and exultant survival enriched his worldview twice over — once in the living, and again in the challenge of capturing them in words. Now 36, Peart was ready to attempt two of the greatest challenges of his life. The month-long bicycle tour through Cameroon would be his first trip through West Africa. Covering more than a thousand miles of primitive roads, trails, and goat paths, it was considered “the most difficult bike tour on the market.”
He had chosen to travel by bicycle, at “people speed,” because his other great challenge was creative. With notebook, tape recorder, camera, and an author’s transformative perspective and awareness, Peart’s goal was to inspire, “inhale,” his experiences of the sub-Saharan country, its cultures and art, religions, languages, multiple ethnic and colonial histories, and especially, its people — chiefs and villagers, soldiers and schoolchildren, missionaries and prostitutes — so comprehensively and imaginatively, that in “exhaling,” he could write with sufficient insight, accuracy of understanding, and vividness of memory, that his story would reveal and illuminate for the Western world something of the “face” behind the mask of Africa. Peart’s creative achievement as author became his first published book, and in the eight years since its original publication in 1996, The Masked Rider has become appreciated by readers worldwide as a rare, special, and unforgettable travel memoir and portrait of West Africa, as seen through the mask of the visiting “white man,” and through the equalyl complex masks of the Africans themselves.
Neil Peart is the drummer and lyricist for the rock band Rush and the author of “Ghost Rider.” He lives in Santa Monica, California.
This redesigned, repackaged, and updated edition of Street Food surveys common street foods from more than 75 countries and regions across the globe.
An estimated 2.6 billion people worldwide eat street food every day. Once associated with developing countries, street food has spread around the globe, particularly in the United States, where a variety of food trucks, top chefs, and trendy pop-up restaurants specialize in grab-and-go fare. Now more than ever, readers are interested in finding and tasting the different street foods prepared and consumed around the world.
Globe-trotters in search of the street-food experience will find information about street-food superpowers—such as China, India, and Mexico—and countries where street food plays a less important role, such as those in northern Europe. Contributed by the world’s leading food historians, the book’s entries provide a detailed look at vendor culture, fun facts, and illuminating statistics, as well as some historical and environmental background on specific foods.
First published in 2013, this reconceived version of Street Food is a comprehensive look at the world’s best street food, a must-have for travelers and foodies alike.
A seasoned war correspondent, Jeffrey Gettleman has covered every major conflict over the past twenty years, from Afghanistan to Iraq to the Congo. For the past decade, he has served as the East Africa bureau chief for the New York Times, fulfilling a teenage dream.
At nineteen, Gettleman fell in love for the first time–twice. On a do-it-yourself community-service trip in college, he went to East Africa–a terrifying, exciting, dreamlike part of the world in the throes of change that imprinted itself on his imagination and on his heart. But at around the same time he also fell in love with a fellow Cornell student–the brightest, classiest, most principled woman he’d ever met. To say they were opposites was an understatement. She became a criminal lawyer in America; he hungered to be in Africa. For the next decade he would be torn by two dueling obsessions.
A sensually rendered coming-of-age story, Love, Africa is a tale of passion, violence, far-flung adventure, tortuous long-distance relationships, screwups, forgiveness, parenthood, and happiness that explores the power of self-discovery in the most unexpected of places.
Jeffrey Gettleman’s memoir is truly, in all its complicated tragic beauty, a love story made up itself of inextricably intertwined love stories. I was mesmerized.—Alexandra Fuller
When three friends, fueled by an alcohol-induced dream to travel the world, clicked “buy” on an iconic London cab they name Hannah, little did they know what they were getting themselves into. Leaving the Big Smoke in their vintage taxi, Paul, Johno, and Leigh began a 43,000-mile trip that would take them off the beaten track to some of the most dangerous and deadly places on earth. By the time they arrived home, they would manage, against all the odds, to circumnavigate the globe, and in doing so, break two World Records.
It’s On the Meter is an honest account of what it’s like to drive a Black Cab around the world. From altercations with the Iranian Secret Police to narrowly escaping the Taliban, the trio’s adventure is filled with hair-raising escapades. The traveling trio will give an impression of each country the taxi passed through and its people and will help readers understand how to survive fifteen months on the road. Feel the fear, frolic in the fun, and meet the hundred passengers the taxi picked up along the way, as the authors take you on their action-packed journey.
Local Eats Paris is the perfect traveling companion for those exploring the City of Lights and those simply delighted by all things French. The fabulous food found in the patisseries, bistros, fromageries, marches, cafes and more are described in delectable detail and accompanied by charming illustrations. A handy guide to ordering, a description of favorite French cheeses, perfect picnic food pairings, and a what’s what of market food can all be found in this lovely guide to Parisian gastronomy. The small format makes it the perfect guidebook to tuck into purse or backpack.
After writing Local Eats London: Bangers & Mash, Pasties, Jaffa Cake and other London Favorites, Natasha McGuinness hopped on a train and travelled through the Chunnel to turn her attention to Paris. After submersing herself in the gastronomy found in patisseries, boulangeries, bistros, marchés, fromageries and everything in between, she put together the perfect foodie dictionary to the cuisine found in the City of Lights. Now back in the United States, she lives in Los Angeles where she is working on her masters degree at the University of Southern California while plotting her next trip overseas.
Anne Bentley is an artist and illustrator based in Northern California. She creates wall art, hand-made cards, logo design, store signage and illustrations for boxed notecard sets, all while juggling paintbrushes, kids and dogs. The two dishes she always seeks out first when visiting Paris are duck confit and the perfect falafel found in her favorite neighborhood, Le Marais.
John Muir said, “When one tugs at a single thing in nature, he finds it attached to the rest of the world.” So is the case for each walk-inspired essay from Katherine Hauswirth. Each reflection hands you talismans that you can turn over thoughtfully in your palm. Hauswirth’s meditative reveries reflect on the deep connections between what we experience outdoors and our day-to-day existence as humans, peppered with thought-provoking facts as well as treasured words from other lovers of the natural world.
Katherine Hauswirth’s nature writing arises largely from long walks in Connecticut. Her work focuses on connection and contemplation inspired by the natural world. She has been published in The Christian Science Monitor, The Day, Orion online, Whole Life Times, Connecticut Woodlands, Shoreline Times, Seasons, and The Wayfarer. Her blog, First Person Naturalist, is a reflection on experiencing and learning about nature. Katherine’s writing has been awarded with artist residencies at Trail Wood (Connecticut Audubon’s Edwin Way Teale memorial sanctuary) and Acadia National Park in Maine. A native New Yorker, she moved to the Connecticut River Valley 20 years ago. She is increasingly enamored of her adopted hometown, Deep River, where she lives with her husband and son.
A master chronicler of the African-American experience, Richard Wright brilliantly expanded his literary horizons with Pagan Spain, originally published in 1957. The Spain he visited in the mid-twentieth century was not the romantic locale of song and story, but a place of tragic beauty and dangerous contradictions. The portrait he offers is a blistering, powerful, yet scrupulously honest depiction of a land and people in turmoil, caught in the strangling dual grip of cruel dictatorship and what Wright saw as an undercurrent of primitive faith. An amalgam of expert travel reportage, dramatic monologue, and arresting sociological critique, Pagan Spain serves as a pointed and still-relevant commentary on the grave human dangers of oppression and governmental corruption.
Richard Wright won international renown for his powerful and visceral depiction of the black experience. He stands today alongside such African-American luminaries as Zora Neale Hurston, James Baldwin, and Toni Morrison, and two of his novels, Native Son and Black Boy, are required reading in high schools and colleges across the nation. He died in 1960.
A curated collection of the New York Times‘ travel column, “Footsteps,” exploring iconic authors’ relationships to landmarks and cities around the world
Before Nick Carraway was drawn into Daisy and Gatsby’s sparkling, champagne-fueled world in The Great Gatsby, F. Scott Fitzgerald vacationed in the French Riviera, where a small green lighthouse winked at ships on the horizon. Before the nameless lovers began their illicit affair in The Lover, Marguerite Duras embarked upon her own scandalous relationship amidst the urban streets of Saigon. And before readers were terrified by a tentacled dragon-man called Cthulhu, H.P. Lovecraft was enthralled by the Industrial Trust tower– the 26-story skyscraper that makes up the skyline of Providence, Rhode Island.
Based on the popular New York Times travel column, Footsteps is an anthology of literary pilgrimages, exploring the geographic muses behind some of history’s greatest writers. From the “dangerous, dirty and seductive” streets of Naples, the setting for Elena Ferrante’s famous Neapolitan novels, to the “stone arches, creaky oaken doors, and riverside paths” of Oxford, the backdrop for Alice’s adventures in Wonderland, Footsteps takes a fresh approach to literary tourism, appealing to readers and travel enthusiasts alike.
Part memoir and part visual journey through the streets of modern-day Paris, France, A Paris Year chronicles, day by day, one woman’s French sojourn in the world’s most beautiful city. Beginning on her first day in Paris, Janice MacLeod, the author of the best-selling book, Paris Letters, began a journal recording in illustrations and words, nearly every sight, smell, taste, and thought she experienced in the City of Light. The end result is more than a diary: it’s a detailed and colorful love letter to one of the most romantic and historically rich cities on earth. Combining personal observations and anecdotes with stories and facts about famous figures in Parisian history, this visual tale of discovery, through the eyes of an artist, is sure to delight, inspire, and charm.
JANICE MACLEOD, the illustrator and author of the New York Times best-selling book Paris Letters, was born in Canada and worked in advertising for many years until she decided to slip away from corporate drudgery and spend time abroad. During her time in Paris, she painted letters about her travels and mailed them to friends, who encouraged her to sell the personalized illustrated letters on Etsy. Since then, MacLeod has sent out thousands of letters to fans worldwide.